Roxy Music ‎♫ Avalon ♫ Rare 1982 Warner Bros. Records Original Vinyl LP w/Insert

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Thanks for looking!AvalonStudio album by Roxy MusicReleased28 May 1982Recorded1981–1982StudioCompass Point (Nassau)The Power Station (New York)GenreSophisti-pop new waveLength37:26LabelE.G.PolydorProducerRhett Davies Roxy MusicRoxy Music chronologyFlesh + Blood (1980)Avalon (1982)The High Road (1983)Singles from Avalon"More than This" Released: April 1982"Avalon" Released: June 1982"Take a Chance with Me" Released: September 1982Avalon is the eighth studio album by English rock band Roxy Music, released on 28 May 1982 by E.G. Records, and Polydor. It was recorded between 1981 and 1982 at Compass Point Studios in Nassau, Bahamas, and is regarded as the culmination of the smoother, more adult-oriented sound of the band's later work. It has been credited with pioneering the sophisti-pop genre.The first single, "More Than This", preceded the album and was a top 10 hit in Britain, Australia, and several European countries. "Avalon", the second single, reached the top 20; "Take a Chance with Me" reached the top 30. In the United States, "More Than This" and "Take a Chance with Me" reached 103 and 104.Avalon is Roxy Music's most successful studio album. It stayed at number one on the UK Albums Chart for three weeks, and stayed on the chart for over a year. Although it reached only No. 53 in the US, Avalon endured as a sleeper hit and became Roxy Music's only million-selling US record, ultimately receiving platinum certification. While the band has toured periodically since the album's release, it remains their most recent studio album to date.Background and productionBryan Ferry started working on the material for Avalon while staying at Crumlin Lodge on the west coast of Ireland. Ferry was there with his girlfriend, Lucy Helmore, who would become his wife in 1983. The album cover artwork featured the same lough (lake) that can be seen from the lodge. Phil Manzanera has said about the making of the record "By the time you get to Avalon, 90 per cent of it was being written in the studio. That album was a product of completely changing our working methods," adding "for the last three albums, quite frankly, there were a lot more drugs around as well, which was good and bad. It created a lot of paranoia and a lot of spaced-out stuff." Ferry said "I've often thought I should do an album where the songs are all bound together in the style of West Side Story, but it's always seemed like too much bother to work that way. So instead, I have these 10 poems, or short stories, that could, with a bit more work, be fashioned into a novel. Avalon is part of the King Arthur legend and is a very romantic thing, when King Arthur dies, the Queens ferry him off to Avalon, which is sort of an enchanted island. It's the ultimate romantic fantasy place."Manzanera has said of the title track, "Avalon", "When we were recording the third or fourth album in London we'd often be working in the same studio as Bob Marley, who'd be downstairs doing all of those famous albums. It just had to rub off somewhere." Rhett Davies recounted the story of how the song got made:"Ferry had stayed up that Saturday night and composed what would be the lyrics to "Avalon." Then, happenstance would provide “Avalon” with one of its most memorable elements: the interpretive vocal contributions of Yanick Étienne. Sunday was usually a down day at the Power Station, so the studio would let local Haitian bands come in to do demos when there wasn't much happening. It was then that Davies and Ferry, on a coffee break in the hallway, heard Etienne singing.“Bryan and I could hear this girl from the Haitian band next door singing, and we thought, 'Wow! What a voice! We've got to get her singing some backing vocals on "Avalon."' That was Yanick Étienne, who didn't speak a word of English. She came in with her boyfriend/manager and we described to him what we wanted and she sort of sang the choruses and the [word] 'Avalon' — the great sound that is on there. Then we said, 'Can she try and do something free at the end?' and we ran the end of the track and she did absolutely nothing. So I said, 'No, we want her to sing anything that she would want to sing, totally free.' So the second time we ran the tape, she sang exactly what you hear on the record at the end.“Bryan then went straight out and re-sang his vocal properly, because he was so inspired by Yanick's singing. I remember Bryan's manager walked in the room and Bryan was just finishing his vocal. We were doing the playback and I'd never seen the look on his eyes before. He went, 'Jesus f**** Christ! That is incredible!' Well, we knew it was a really high point of the evening. I remember going, 'Wow! We have really created something special here.' That is how I felt. Then we mixed it the next day with Bob [Clearmountain]."It was one of those turnaround things, where the original track was just about to be thrown in the can. And then suddenly, we did a completely different version of the song that just made the record for me," Davies concludes. "I thought, 'That's it. That completes the record!' I remember we had dinner a couple nights later, and I asked Bryan, 'What are you going to call the album?' and he said, 'I'm going to call it Avalon,' and I thought, 'Yeah. Of course.'"ArtworkThe artwork for the album was designed by Peter Saville. Although less visually obvious than it had been with past releases, Avalon continued the tradition for Roxy Music albums to feature images of women on the cover artwork. Bryan Ferry's girlfriend (and soon to be wife) Lucy Helmore appeared on the album cover wearing a medieval helmet with a falcon perched on her gloved hand, evoking King Arthur's last journey to the mysterious land of Avalon. The artwork design was created on Transparency film with retouching by John Abbott at TRP SLAVIN in Chenies Street, W1, now the RADA Building.Critical receptionProfessional ratingsReview scoresSourceRatingAllMusicMojoPitchfork8.0/10QRolling StoneThe Rolling Stone Album GuideSmash Hits8/10Spin Alternative Record Guide9/10UncutThe Village VoiceA−In The Village Voice's 1982 Pazz & Jop critics' poll, Avalon was voted the 11th-best album of the year. In 1989, the album was ranked No. 31 on Rolling Stone magazine's list of "The 100 Greatest Albums of the 1980s". In 1993, Entertainment Weekly included the CD as No. 25 in their 100 Greatest CDs A Love-It-Or-Loathe-It Guide to the Essential Disc Library. In 2000 it was voted number 187 in Colin Larkin's All Time Top 1000 Albums. In 2003, the album was ranked number 307 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time. Avalon is the highest entry of four Roxy Music albums that made the list (Siren at No. 371, Country Life at No. 387 and For Your Pleasure at No. 394 being the others); Avalon and Country Life were dropped from the 2012 revision, but Avalon was re-included on the 2020 revision at No. 336. In 2012, Slant Magazine named the album the 45th best album of the 1980s.The album has consistently been praised by critics. Reviewing the album in Rolling Stone, Kurt Loder wrote: "Avalon takes a long time to kick in, but it finally does, and it's a good one. Bryan Ferry stars as a remarkably expressive keyboard player and singer whose familiar mannerisms are subsumed in a rich, benevolent self-assurance. And reed man Andy Mackay shines in a series of cameos (his oboe meditation on Ferry's "Tara" is particularly lovely). Ten years after its debut, Roxy Music has mellowed: the occasional stark piano chords in "While My Heart Is Still Beating," for example, recall the stately mood of "A Song for Europe," but the sound is softer, dreamier and less determinedly dramatic now. Ferry's songwriting, however, has seldom seemed stronger."Mark Coleman in The New Rolling Stone Album Guide gave the record four-and-a-half stars out of five, and wrote; "this austere, beautiful set of songs represents a mature peak. The controlled chaotic edge of the early albums is completely gone, and co-founders Manzanera and Mackay provide only skeletal guitar and sax lines. Ferry fills in the details, creating layered synth landscapes around his tragic scenarios and melodic ruminations. Avalon's pervasive influence on the British pop scene of the '80s can't be overstated. Roxy Music's stature is even further enhanced by the absence of a latter-day comeback album. So far, anyway." Spin Alternative Record Guide rated Avalon nine out of ten: "1982's Avalon remains one of the all-time great makeout infernos, a synthesized version of Al Green's Call Me, Van Morrison's Moondance, and João Gilberto's Amoroso."Track listingAll tracks are written by Bryan Ferry, except where notedSide oneNo.TitleWriter(s)Length1."More Than This" 4:302."The Space Between" 4:303."Avalon" 4:164."India" (instrumental) 1:445."While My Heart Is Still Beating"FerryAndy Mackay3:26Side twoNo.TitleWriter(s)Length1."The Main Thing" 3:542."Take a Chance with Me"FerryPhil Manzanera4:423."To Turn You On" 4:164."True to Life" 4:255."Tara" (instrumental)FerryMackay1:43Total length:37:31

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Location: Kirkland, Washington

End Time: 2024-11-22T03:51:02.000Z

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